Saturday, December 23, 2017

Ways to Simplify Your Budget and Get Back to Doing What You Love

"Danae and the Shower of Gold," Orazio Gentileschi, 1621-1623. 
Digital Image Courtesy of the Getty Open Content Program.

Hello friends,

I recognize that finances and budgeting are not the first things that come to mind when we think of factors informing the creative process.  But the reality is that monetary considerations are intrinsically linked with the creative process, whether we like it or not.  There's the obvious, concrete aspect of needing to be able to pay for our creative endeavors: supplies, space, time.  But there's also a profound psychological impact that financial concerns can have on us and the mental state that financial worry creates can easily translate over into our art.  We've all heard the sorrowful stories of professional artists having to compromise their vision to make their work more marketable, rather than having the financial security, and thus the artistic freedom, to be uncompromising  with their work.  And financial worry can drive hobbyists to view their creative endeavors as potential sources of side income and treat them like stressful business obligations rather than enjoying them for fun, relaxation, and creative expression.

But beyond the greater cloud of financial worry itself, there's also the mental energy that pretty much of all of us, financially secure or not, have to expend on mundane financial concerns.  Budgeting, paying bills, saving where we can, investing if you are lucky enough to be one of the privileged people who have money left to invest after covering your everyday expenses.  All of this takes away from mental energy we could otherwise be spending delighting in our creative pursuits, and always creates a little bit of a crack in the ethereal serenity of creative bliss. 

What I have discovered over the past few years is that there is an elegant solution to be found in pre-paid subscription services, or in apps and services that otherwise automate financial decision-making.  The joy of pre-paid subscriptions is that budgeting is a cinch.  You know exactly what it will cost each month and can factor it into your monthly expenses the same way you would rent or car payments.  It takes the consternation and comparison shopping and uncertainty out of the picture.  And as long as you do the work and research on the front end - making sure you're getting the right subscription service for your needs and that it really is cost effective as opposed to buying as you go - it can be a very responsible choice. If you're skeptical, remember your Netflix/HBOgo/AmazonPrime/Hulu/Spotify subscription and how simple and easy it is.

Admittedly, pre-paid services pose their own problems.  What if you don't end up using it?  Then you just wasted a bunch of money.  And there's also a cash-flow issue that gets at the larger fact that it's expensive to be poor.  Let's say you want to purchase a thingermajig and you use one thingermajig a month.  If you only have $100 to spend right now, and a year long monthly thingermajig subscription is $110, but a buying a single thingermajig is $20, you're clearly going to just buy one thingermajig and forgeo the subscription, even though the subscription would end up saving you $130 in the long run - more than the cost of the subscription itself. 

For people who don't have the cash flow to subscribe to everything they'd like to subscribe to, I unfortunately don't have a perfect solution.  Other than to call your congresspeople (if you're lucky enough to live in a jurisdiction that isn't D.C. or Puerto Rico or an island territory and actually have meaningful representation in Congress) and tell them to change our economic and tax policy, there's one other thing you can do to make this work.  Stagger your subscriptions.  Subscribe to one thing first, something that will be a real game changer.  Take the money you save over time through that subscription and put it away (below you will see there's an app for that), and then use that to buy the next subscription once you have enough money saved, and repeat.

In any case, below are some of the budget-simplifying discoveries I have found in the past few years that have made all the difference in my energy and worry levels, and freed up my mental energy to be redirected to my work and my creative pursuits.  Some of these discoveries have saved me money, but all of them, and this is what I'm really aiming for here, have helped me to simplify my financial life.  These, for me, have been game changers.  And, just so you know, I have not been paid, or even asked, by any of the companies I'm about to mention here, so you can be sure that if I'm recommending something it's because I use it myself and genuinely believe what I'm saying.

Mealpal 

Mealpal is one of three pre-paid products that opened my eyes to the fact that living in a big city + having the Internet means that there are services available to me that can significantly simplify my life and reduce the time and energy I have to expend on mundane spending decisions.  Mealpal is a prepaid, monthly lunch plan that allows users to obtain workday lunches from local restaurants at a discounted price.  Depending on the plan you select, meals will cost you between $5 and $7.  Granted, it might still be cheaper to make and bring your own lunches, but then you would have to make and bring your own lunches, a habit I kept promising to get into but never actually got into.  It's significantly cheaper than just going out and buying lunch, which in DC can easily cost between $10 and $15 or more. 

But more than just saving money, it saves time and mental energy.  You pre-select your meal the night before, you choose only between participating restaurants, and each restaurant puts out one meal each day.  You can use the search filters to further refine your options, and then you select your meal and a time window.  Mealpal also lets you skip the line to order and go straight to the pickup window, where your meal should be waiting for you if you show up during your set time window.  Now, it's not perfect - this approach creates limitations.  But to me that's what makes it appealing.  Before Mealpal I would spend a ridiculous amount of my workday debating where to go for lunch, and then thinking about how much I would end up spending to get what I actually wanted, and worrying about how far I would walk and when in my day I should go.  Now, by the time I start my workday, that decision has been made.  Granted, the limited selection led me to eventually switch from the 20-meal-per-month plan to the 12 meal plan, especially because I'm pescetarian and the vegetarian and fish options are especially limited.  This also saves room for days when I do feel like splurging, am out sick, or have a work-related lunch event. 

One final note on Mealpal is that, now that I have been using Mealpal for a while, my habits have changed.  I don't look at lunch the same way.  I would like to think that if I ever stopped using it (like let's say if I moved to an area where it wasn't available) I would still retain the good habits I've developed  of not spending so much time and energy on figuring out where to grab lunch.


Qapital

This is the other product that made me realize the Internet is magic and can do things for me automatically.  Qapital certainly isn't the only app that does this, but it's the one I use and am most familiar with.  Qapital is a smartphone app that you give access to your banking account and credit card history (which you may not be thrilled with, but Qapital is affiliated with well known financial and banking institutions, which you may also not be thrilled with (heh) but at least it means that federal banking regulations are in place to protect you).  You tell Qapital your savings goals, and can have as many as you want, and then you can set rules based on your own spending patterns which in turn remove money from your bank account and put that money in a separate banking account where it is earmarked toward the goals you have set.  So, for instance, let's say your goals are "save up for art classes," "rainy day fund," and "trip to Morocco."  You set a rule that if you spend less than $20 on Uber or Starbucks in any given week the difference is removed from  your account and earmarked toward art classes, a rule that $70 a month automatically goes into your rainy day fund, and a rule that the app will round up to the next dollar on all your credit card transactions and place that money in savings toward your Morocco trip.  You can set caps on the goals or not.  And it's easy to transfer money back to your bank if you need to.

The best thing about Qapital is it's automatic and you can do it in small increments so you literally don't even notice it happening (just make sure to monitor your checking account balance, which you would presumably be doing anyway).  And then after a few months all of a sudden you've saved hundreds of dollars and you're like whoa, how did that happen?  I saved $2000 in one year using Qapital without noticing.  And believe me, I am not rolling in dough.  For me $2000 is a lot of money.  So to not have even noticed it happening is pretty incredible.

I also like the fact that Qapital (assuming you remember it's even happening) can also encourage good habits.  I could go spend $5 on a fancy latte, but I won't because I know that money is going toward my savings.  I could take an Uber or I could walk or take the Metro because I know that money will go toward one of my goals.  Granted, I personally don't take any of that into account anymore and just let the app work its magic, but if you did take it into account you'd be doing even better.

4pfoods

A third game changer in my life has been a subscription to a local CSA that delivers food to my house every week.  There are other CSAs in the DC area, but I chose 4p because it delivers, I enjoy its commitment to local growers, and the customer service people are passionate, available, and super friendly.  Like they know me by name when I e-mail them and we have ongoing conversations because it's literally the same three people.  If you're in the DC area I highly recommend them and if not then there are likely CSAs in your area with a similar vibe.

What I like about the 4p subscription is that it takes all the work and thinking out of grocery shopping.  Once a week they send out a reminder e-mail and, like Mealpal, I log into their system and make my selections.  I am presented with a limited but sufficient selection of local, seasonal produce items to include in my bag - I also have the dairy and egg subscription (and there's a meat subscription available if you're carnivorous, and if you must eat meat I'd rather you ate meat from these folks than big corporate farms) - and the ability to skip that week if I so like, I decide what I want, and then all I have to do is wait for delivery.  It's subscription style and they keep my card on file so I get a weekly automatic charge for weeks where I don't skip and I always know what that charge is going to be.

What I enjoy about this is that it exposes me to new vegetables I wouldn't necessarily have worked with before.  Rutabaga, parsnip, kohlrabi, actual ginger and tumeric root rather than stuff in a jar, mizuna, varieties of raddish I didn't know existed, sunflower microgreens (which are DELICIOUS who knew), tomatillos, Asian pears, hydroponic lettuce varieties that are way tastier and more nutritious than store variety iceberg.  All of this is stuff I never would have considered before and is now a part of my regular repertoire.  I literally cannot remember the last time I went to a grocery store.  I occasionally go to Trader Joes to pick up non-perishables from time to time (but not wine, as I also have a wine club membership - basically a subscription - at local Virginia winery Hillsborough Vineyards, which has the best rose wines I have ever tasted).  Pretty much everything else, including my white bread, I get as needed at CVS, which brings me to...

Target Subscriptions

CVS is everywhere around here but sometimes getting there still takes me out of my way and is a pain in the butt, and I end up paying premium prices on things I could get more affordably at a larger superstore in a more suburban location.  I've always considered it worth it to buy my toilet paper there, though, because it's still cheaper than owning a car, which I'd need to schlep out to Target or WalMart - though both are making inroads into the cities, painfully aware of the "reurbanization" (read: gentricifcation) by America's younger middle class.  Still, the WalMart and Target locations in D.C. are far out of my way.  Target has also begun opening a smaller version of itself in urban areas called Target Express, which is an interesting model, and is clearly geared toward urban millenials.  For instance, it has a slimmed down clothing selection with a focus on work clothing and fashion forward selections, with no kids' stuff to be found.

Nonetheless, enter Target subscriptions.  Having gotten so much bang for my buck with MealPal, 4p and Qapital I recently began looking for other timesaving and brainsaving prepaid services.  And I discovered that I can subscribe to toilet paper.  There are many services, in fact, that let you subscribe to toilet paper.  I landed on Target because it carries the brand I like with the website functionality and price I like.  And with a subscription you receive free shipping plus a 5% discount.  So now, for under $20 a month after tax, I receive a massive shipment of Charmin Ultrasoft Mega Plus at my house.  This is almost the same price I was paying for half as much at CVS, and, without a car, I would have to go out of my way to walk to CVS on my way home to buy it and then lug two giant packages of toilet paper with me back home.

You can subscribe to other household items from Target, as well, including certain food items like Cliff bars.  Unfortunately, I have yet to locate a subscription service that will send me white bread.  GoPuff will bring me wheat bread - and apparently also a full sized hookah and an aluminium trash can - but apparently not white bread.  *shakes fist*

Membership at the Phillips

So, with my love of subscriptions, it occurred to me that I can apply this same concept to entertainment.  Not all memberships are worth it, but they are if they end up paying for themselves.  The Phillips Collection is America's oldest modern art museum and is a beautifully curated, small museum located in the Dupont Circle area of Washington D.C.  It is a delight and is much more intimate and hidden than the Smithsonians, and honestly I think their collection is nicer than that at several of the Smithsonian art museums.  I mean I could go on about the difference between private and public collections but that's a different post.  Mostly, their programming is thoughtful, and easier to figure out and access than anything on the Smithsonian calendar, plus it's in a part of DC that Washingtonians actually go to and that isn't spilling over with tourists. 

Membership at the Phillips is $60 a year, and offers free admission plus two guest passes plus discounts on concert performances and other ticketed events plus a discount at its cafe (run by Tryst, a DC institution) and its delightful gift shop.  Admission is usually $12 so 5 trips makes back the price of membership.  And you'll use them because that includes admission to member's only viewings and Phillips After 5, a monthly event in which the museum stays open and allows folks to browse the entire collection, plus enjoy a live music performance.  This membership is more than worth the price and once you have already paid it means there will always be something to do in the city that requires no additional spending.

Rosetta Stone Online Subscription

You may know Rosetta Stone from those mall kiosks of yesteryear where they sell you sets of CD-Rom for hundreds of dollars.  It has always been an effective language software, and no more expensive than paying for involved language classes.  But it has always been cost prohibitive enough that buying it just to dabble in a new language to try it out, or trying to gain a cursory knowledge of multiple languages that interested me was never possible.

I recently discovered, however, that Rosetta Stone has adapted to the fact that few computers today even have disc drives.  It now lets you subscribe to an online go-at-your-pace language learning program.  Cost varies depending on how many months you subscribe, but I just picked up a one-year Hebrew subscription for a little over $100.   I've always wanted to learn Hebrew.  I'm really into Jewish liturgical music and the current Israeli music scene (regardless of what my political feelings about Israel may be), especially since in the past several years there has been a surge of amazing Jewish artists of color bringing rich cultural traditions from all over the African and Middle Eastern world to a previously Eurocentric music industry.  And I perform a lot of Jewish music, and have even taught on the subject of Jewish music.  So being able to learn Hebrew in a way that is cost effective is making a huge difference in terms of my creative life.  It also goes back to the notion of having something "free" to do.  Now that the subscription is already paid for, for the next year I can log on whenever I'm looking for something to do that's enriching and doesn't cost me any additional money.  So if I find myself bored one night but have already overspent my going out budget for the month, I can log on and learn some Hebrew and be very, very content.


One final note on subscription "boxes."

I'm still figuring out how I feel about these things, and haven't used many myself.  I did try out a Globein subscription for a few months and didn't renew.  I love the concept of Globein, which sends you a small package of fair trade artisan-made products from around the world, helping to support makers in developing countries.  The items I received were nice and high quality, and it was lovely receiving a little gift in the mail every month.  But I ultimately found that I was getting a lot of things I didn't really need, and for me in particular it wasn't helpful because it kind of assumed that box recipients had their own nice households and weren't urban millenials living in an apartment with multiple roommates.  The batik table runner and olive wood cheese spreaders I received were lovely, but when am I ever going to use them when the constraints of my lifestyle mean I don't have family dinners and  rarely ever entertain?  Plus it was a significant monthly charge each month, for an amount I couldn't justify for things that were pretty but probably wouldn't get much use, rather than a single year-long subscription.  This might be the right box subscription for somebody else, but not for me.

In a similar vein, I've been curious about clothing boxes like M.M. LaFleur and StitchFix.  These subscriptions charge you a monthly fee for the box, and then you decide what you do and do not keep.  What you keep you pay for.  M.M. Lafleur is absolutely cost prohibitive, without question, for boring stuff that isn't anything special.  I have one friend who uses it and likes it because she hates shopping for work clothes, and has the kind of job where she's constantly traveling and just doesn't have time to worry about it.  She's also tall and thin and well paid and could care less about looking fashionable as long as she looks appropriate.  It's basically a service for highly paid and very busy professional women and that's all it's for, and I'm also kind of offended by some of the snooty sounding interviews and pull quotes I've seen from its founder about how women shouldn't be using their clothing to make a statement, as someone who loves colorful statement clothing.  I've received mixed reviews from friends on StitchFix.  One friend, a very very busy and overworked and highly paid attorney loves it because she literally doesn't have time to go shopping.  The other, a graduate student looking for help growing a work appropriate wardrobe, canceled her subscription after one box because she asked for work clothing and found that they had sent her sheer blouses and leather leggings, kept nothing, and resented paying for the privilege of having a bunch of stuff sent to her that she didn't want.

There are additional subscription boxes that I'm curious about and may try one day.  There are several witchy themed boxes available from Cratejoy that intrigue me.  And when I eventually have the type of lifestyle that allows me to have a dog I will be spoiling it with a Barkbox (and I do have friends who rave about this one).  But I'm not in any rush.  To me these don't necessarily feel like life-simplifying measures the way that some of the previous products have been.  They just feel like accumulating stuff, which I'm perfectly good at doing all on my own, and actually enjoy doing on my own - perhaps a little too much.  That said, getting a little treat in the mail every once and a while is really nice.


So what about you, readers?  Have you found any life-simplifying products or services not mentioned here?  What do you do that keeps you from having to think about dealing with mundane problems or chores and gives you the ability to expend more of your time and energy on things like your career and on creativity?  Share in the comments.

Tuesday, September 5, 2017

A Creativity Break Versus A Break from Creativity

"Reverie," John William Godward, 1904.
Digital image courtesy of the Getty Open Content Program 


Hello friends,

For a long time I've always thrived on creativity breaks.  Breaks from everyday life doing boring, non-creative things where other people are the boss of me when I can tell all that stuff to chill out and take time to just sit down and make something awesome.  Something that's completely under my control, purely an expression of my feelings and desires.  These creativity breaks have been essential. Sometimes what gets me through my workday sometimes is knowing a project I'm in love with is at home waiting for me.

But sometimes being creative can get overwhelming, especially if you put constant pressure on yourself to do so. That includes keeping a creativity blog (heh - note recent respite).

For the past several weeks, I have been swamped.  And in a way it can be good to be swamped - it means you're active, needed, and not bored.  It can even be invigorating, but only when that swampedness is being counterbalanced with a healthy dose of R&R.  I have not been so much with the R&R having lately and what I have learned about myself is that for me, creativity is kind of like work more so than R&R.

Part of it is because I put pressure on myself and create all these internal deadlines that really don't need to be there (honestly, Emily, nobody cares if you get that scarf finished this weekend, including the person you say you're making it for).  And part of it is that I view my creative pursuits and crafting as a kind of twin-from-a-parallel-universe career, the career that I would like to be having if I thought I could make any money at it and weren't totally risk averse instead of my actual one that's not as fulfilling as I would like it to be.  Maybe that's why I put the unnecessary pressure on myself.  Or maybe it's that my bedroom has been completely taken over by craft supplies and I'd like to finish some projects and get them out of there!

In any case, while crafting is certainly fulfilling it isn't necessarily fun. And, low on time and energy and emotional resources, I haven't been doing much of it lately.  In fact, I just spent the last week in Florida having a non-vacation helping out my parents, and I brought several creative activities down with me that I didn't even touch.  Instead I spent what little alone time I had on my phone playing this silly cartoon choose-your-own-adventure romance game, and another one where you have to save up to buy furniture and then enter into realistic looking interior decorating challenges (that's actually kind of creative, right?)

In the past few weeks I've also bought a new computer - long overdue - done some networking, severely neglected my poor boyfriend, dealt with work drama, taught a music class that I had been preparing for months, started attending choir rehearsals again, attended a launch party for an amazing new natural beauty shop in Georgetown, gone to several Mary Kay parties and participated in a poker tournament.  And I'm pooped.  And I keep coming home and taking a look at my new loom that I was so excited about and I just don't want to do it.  I don't even want to cook.  I want to order delivery, crack some wine, and play Dice Smash for three hours.  Is this what adulting looks like?

I'm trying to tell myself that this is self care and not failure.  And I'm getting better at it every day.

Am I abandoning creativity?  Certainly not.  I'm sure one day I will wake up and be excited again. But right now, I'm tired!  So I'm giving myself some time off.

To be frank I think I've always labored under the misconception that every moment should be spent doing something productive.  People ask me how I manage to do everything that I do and I explain that 1) I don't sleep (true) and 2) I don't watch TV.  Or rather, I only watch TV if I'm doing something else in front of it, like making jewelry or knitting.  And I think that's part of why I don't read for pleasure - can't hold a book and craft at the same time.

This is the first time in my life that I've finally understood that this is bullshit.  Maybe this is just the first time in my life that I've been this tired.

In any case , I'm confronted with a new kind of challenge, one that is in its own way creative: What is this R&R I've been hearing so much about?  Or, rather, what does it look like for me?  Bubble baths? I hear it's supposed to involve bubble baths.  Sounds kind of boring.

I'm inspired here by my friend Kim's recent blog post on the importance of fun breaks.  She talks about what she does (or would do) to just have fun and be silly, and encourages others to share their thoughts on this.  I, however, suck at this, so I've created my own exercise: just a list of things I like to think about that make me happy - without me having to do anything or put any pressure on myself. Baby steps, you know.  And not just vast, obvious categories like "puppies" and "chocolate."  Oddly specific, idiosyncratic, utterly me happy things.  Weird stuff.  Frivolous stuff.  It's tough if we're talking about this in the context of taking a break from creativity, because the stuff that makes me happy is inevitably linked to creative projects and ideas I have, whether as supplies or photography subjects or inspiration sources, but in my head I will do my best to separate them out and just appreciate them for themselves.

So here we go:

1. Farmers Markets
2. Lavender branches
3. Alpacas, specifically the caramel colored ones, especially with funny haircuts
4. Marble surfaces
5. Space cats, especially space cats posing with burritos
6. Scented candles that smell either like men's cologne or fairy tale forests
7. Walking through the perfume, beauty and accessory departments at high end department stores
8. Shooting bobas through the big straw like a spit ball (have done it, will do it again)
9. Metallic gold nail polish
10. The 1920s


How about you friends?  What do you do to take not just a creativity break but a break from creativity?  And what is on your list of things that make you happy just to think about them?  Discuss in the comments.

Emily


Thursday, July 20, 2017

Similar but Different: Synthesizing Multiple Crafts Into One

"The Weaver (La Tisserande)," Francois Bonvin, 1861.
Courtesy of the National Gallery Art Open Access Program.

Hello friends,

As you may have gathered by now, I love fabric.  Not sewing so much, not crafting garments, but making fabric itself.  I love all things tactile and textile.  I started off as a knitter, when I was still in elementary school.  Convinced that all grandmothers *must* know how to knit, I asked my grandmother to teach me.  She had no idea, so she bought a book, some knitting needles, and some cheap pink yarn, and sat me down on the love seat in her condo in Florida.  She consulted the book, performed a step, and then handed the needles to me to instruct me on what to do, so on and so forth.

Later on I decided it would be helpful to learn a little crochet to supplement my knitting with lace edges.  Crochet allows for a much more freestyle, sculptural approach and isn't confined to lines and rows of stitches the way that knitting is.

These skills taught me an appreciation for fabric.  Colors, fiber types, density, tension.  I found myself caring less about what the end product would be and much more fascinated by the process and the minutia.  What happens when I blend these two yarns together?  These two colors?  Using this stitch, or that one?  What if I use this needle size, does that change the texture and drape of the fabric?

I think this fascination comes through in my finished work.  You'll note that my pieces themselves tend to be simply constructed with few bells and whistles, mostly flat rectangular shawls.  But the fabrics themselves are highly detailed, with lots of focus on texture and the play of the different colors and fibers.





The above piece, for instance (which happens to be available for sale in my Etsy shop) features three different yarns - two different colors of super fine silk and cashmere blend yarn, and a hand-painted pure silk that alternates between many different colors.  I alternated the different fibers and selected a slip stitch pattern that causes the different rows of stitches to peak and trough into one another.  But quite frankly, I couldn't have cared less about the length or shape of the shawl.  That was totally eyeballed.


As I grow as an artist I find myself fascinated by more and more fabric techniques.  I have learned to dye with natural indigo, using the ancient Japanese art of shibori.  This technique allows me to focus less on the construction of the fabric itself, relying on pre-finished silks and other fabrics, and to instead turn my attention to the color and surface design of the piece.



These scarves are also available on Etsy and are also for sale at my favorite Washington area boutique, Proper Topper (where they've been selling like hotcakes!).


Even when I'm not planning to apply a new technique I've picked up to fabric at the offset, I end up thinking about ways to apply it to fabric.  I took a block printing class many moons ago so that I can learn to carve my own designs to apply to my cards and journals instead of using pre-made stamps (See my mother's day cards I made using my own carved "Mom" block here). My instructor mentioned that the inks we were working with could be used on fabric, and that notion has been stuck in the back of my mind ever since.  What if I were to block print designs on top of my shibori designs?  And then add a little embroidery on top of that, maybe to outline the designs or add details?  What kind of fabric would that create and would it actually be a fabric that anyone would want to use for something functional?





Most recently, however, I turned to the ultimate fabric-making craft: weaving.  I have been curious about weaving for years, especially after I learned about the existence of "knitter's looms" designed specifically for use with knitting yarns.  As serious knitters are wont to do, I have accumulated an impressive yarn stash that is taking up a dramatic amount of space in my home.  Knitter's looms are touted as the ultimate stash-buster.  These looms are tiny versions of the big fancy whoosh whoosh looms that have the uppy downy things (known as "heddles"), made to accommodate standard thickness knitting yarns.

But I have also noticed that another form of artistic tapestry weaving has become all the rage among the crafting community recently:






These pieces are made on a frame loom, which forgoes the heddle and instead relies on the weaver herself to interlace the weft fiber (the horizontal fiber) through the vertical fibers of the warp manually with her hands.  It's much more rustic and slower going, but offers so much more flexibility in terms of shape and experimentation.  It's basically freestyling it.

Well lo and behold, I found myself a loom by an independent businesswoman on Etsy that converts from frame to heddle loom and works with regular knitting yarn.




And here's my first project!  I'm starting off with the frame loom and working my way up to the
heddle.





What has been really interesting about this adventure in textiles is the degree to which all these crafts are similar and yet also different.  My one day fantasy is to synthesize them into one big project or personal artistic style that incorporates a multimedia garment or wall hanging made up of my own woven fabric, knitted embellishments, and my block printed and/or embroidered shibori.

A synthesis:



In many ways, it has been easier to pick up each new craft than the previous one, kind of like learning new languages.  Certain building-block skills are the same.  Understanding color and how fibers of different colors blend together.  Understanding the structure of different fiber types, for instance the fact that silk is always going to drape differently than wool.  Understanding the concept of "tension" (how tightly you hold your yarn or thread), which is a near universal factor in all fiber crafts.  Too much tension and your thread will snap or your fabric will pucker.  Not enough and things will be too loose and your piece will fall apart.  Just having a natural feel for running fibers and strings over my fingers, feeling comfortable pulling yarn from a ball without getting it tangled, holding a needle. The crochet hooks and tapestry needles I already use to finish off certain aspects of my knitting have come in very handy as I use them to add fringe to a woven piece or pull the weft back and forth between the warp strings respectively.

And yet so much is new.  And those new challenges that I have to handle like a beginner really throw me off because I have come to develop a certain expectation about the ease with which I'll be able to tackle a textile-related project.  Shibori is messy. Learning to deal with indigo dye splatter all over the floor (and walls) was a real challenge, since I don't have a yard.  With the weaving, getting a sense of exactly how much yarn I need to complete a shape is totally new because weaving uses totally different amounts of yarn, plus I'm struggling to keep my loom from dipping in on the sides where I pull too tightly.  You would think this wouldn't be an issue for me since I mastered the art of evenness with my knitting long ago.

But perhaps the greatest thing about this is the differences on my physical body.  I have carpal tunnel syndrome, and my hands go painfully numb sometimes when I'm knitting.  Weaving doesn't do that at all!  But it hurts my back.  So I can switch back and forth between the two, giving my hands and wrists a break when I weave and my back a break when I knit.  Block printing I do standing up.  Indigo dyeing - with all the different steps that involve dunking the fabrics in different buckets, rinsing, hanging, blocking, stirring - is a full body exercise.

I really do feel like I'm at a place in my artistic non-career where every new skill I learn is with an eye to integrating it into my existing work style, improving the things I'm already working on.  I'm very excited about the idea of watching all these different elements coalesce until I've woven (haha see what I did there) them all into a single, uniquely personal artform.



How about you readers?  Have you ever synthesized multiple skills/crafts/art forms together to create one, singular type of project?  What new skills would you like to learn that you feel could improve upon artistic activities you're already doing?  Do you also find that you tend to gravitate to crafts or other hobbies that share a lot in common or are you more inclined to go after something totally new because that itch has already been scratched?  Discuss in the comments.